CASTLE OF OUR SKINS
  • ABOUT
    • WHAT IS COOS?
    • LEADERS
    • ARTISTS
    • COLLABORATORS
    • CREATIVE IN RESIDENCE
    • CONTACT
  • SEASON
    • 2022-2023 SEASON
    • MassQ Ball
    • Black Composer Miniature Challenge >
      • #BCMC 1.0
      • #BCMC 2.0
      • #BCMC 3.0
    • Black Poet Miniature Challenge
    • BSU Fellowship
    • Card to Culture
    • REPERTOIRE
  • EDUCATION
    • EDUCATION
    • AS TOLD BY
    • BIBA Blog
    • RESOURCES
  • PRESS
    • IN THE NEWS
    • Videos & Images
  • CONTRIBUTE
    • DONATE
    • VOLUNTEER
    • Join the Board
    • SPECIAL THANKS
  • Store

6/10/2021

From the Motherland!

1 Comment

Read Now
 
by Anthony R. Green

Did you catch it? Did you see Castle of our Skins's latest digital on-demand project titled From the Motherland? Including today you have 8 days left! For those who haven't seen it, set aside some time in your calendars to watch it ... at least twice! For those who have seen it only once ... SEE IT AGAIN! Why, you may ask? This performance is so rich that it is difficult to appreciate it fully in one go, even though one can easily go on this incredible journey with Tanyaradzwa and her incredible band-mates, and experience such a life-affirming musical exhibition that is sure to leave a deep impression on your heart, mind, body, and soul. 
Picture
Photo Credit: www.RobertTorresPhotography.com​

During this performance, Tanyaradzwa's journey through 12 songs evokes the spirit of Mwedzi, a Chivanhu word meaning moon, month, and menstrual cycle. In this evocation, Tanyaradzwa intimately and boldly recounts her journey into womanhood. She writes: Mwedzi tells the story of my rite of passage into Womanhood. This 12-year journey began in 2008, when I left Zimbabwe for the United States. As a Zimbabwean woman living in the USA, staying grounded in ancestral wisdom has been vital for my survival. 

The songs run the gambit of emotions, in parallel to Tanyaradzwa's 12-year story. Enthusiastic, community-building songs invite the digital audience to participate (like the fun, bright, and rhythmically sophisticated Anchulele). Slower, intimate songs bring the audience into a spirit of reflection and (perhaps) penitence and honor (like the incredibly poignant, simple, transcendental Mwoyo Muti). Then there are moments of unadulterated mature wit and clever surmounting of life's obstacles (like the cheeky, whimsical songs Chef and Mysterious Woman). I cannot speak highly enough of the incredible musicianship of Tanyaradzwa and her band mates Etienne Charles and Gerson Lazo-Quiroga. What a synergy they all share; what a deep level of communication, clarity of destination, and ease in musical fluidity. The instrument combinations are fascinating, highlighting a wide range of colors and textures. The rhythms are so complex, yet all organically felt and executed by the incredible bond of these three talented lights. 

From the Motherland ​- stop everything and watch now! 

Share

1 Comment
Kelley link
6/10/2021 12:33:49 pm

Mwoyo Muti was my favorite! Like a calming wave washing over you.

Reply



Leave a Reply.

Details
    Picture
    Writings, musings, photos, links, and videos about Black Artistry of ALL varieties!
    Feel free to drop a comment or suggestion for posts!  

    Archives

    March 2023
    February 2023
    November 2022
    June 2022
    May 2022
    February 2022
    January 2022
    December 2021
    November 2021
    October 2021
    September 2021
    August 2021
    July 2021
    June 2021
    May 2021
    April 2021
    March 2021
    December 2020
    November 2020
    September 2020
    August 2020
    July 2020
    June 2020
    May 2020
    April 2020
    March 2020
    February 2020
    January 2020
    December 2019
    November 2019
    October 2019
    September 2019
    August 2019
    June 2019
    May 2019
    April 2019
    March 2019
    February 2019
    January 2019
    December 2018
    November 2018
    October 2018
    September 2018
    August 2018
    May 2018
    April 2018
    March 2018
    February 2018
    January 2018
    July 2017
    June 2017
    April 2017
    March 2017
    February 2017
    January 2017
    December 2016
    September 2016
    June 2016
    April 2016
    February 2016
    December 2015
    November 2015
    October 2015
    September 2015
    April 2015
    March 2015
    January 2015
    December 2014
    September 2014
    August 2014
    July 2014
    June 2014

    RSS Feed

THANK YOU FOR YOUR SUPPORT!
Picture
Picture
Picture
Picture
Picture
Picture
Picture
Picture
Picture
Picture
Picture
ABOUT
WHAT IS COOS?
LEADERS
ARTISTS
COLLABORATORS
CREATIVE IN RESIDENCE
​CONTACT
SEASON
2022-2023 SEASON
MASSQ BALL
​BPMC
​BSU FELLOWSHIP
​REPERTOIRE
EDUCATION
EDUCATION
AS TOLD BY
BIBA BLOG
​RESOURCES
PRESS
IN THE NEWS
​VIDEOS & IMAGES
CONTRIBUTE
DONATE
VOLUNTEER
JOIN THE BOARD
SPECIAL THANKS

STORE
A LITTLE HISTORY
X: CURRICULUM GUIDE
#BCMC VOL. 2 
#BCMC VOL. 1
JULIUS EASTMAN
FLORENCE PRICE

Member Login
Black concert series and educational programs in Boston and beyond
TERMS AND CONDITIONS
PRIVACY POLICY
  • ABOUT
    • WHAT IS COOS?
    • LEADERS
    • ARTISTS
    • COLLABORATORS
    • CREATIVE IN RESIDENCE
    • CONTACT
  • SEASON
    • 2022-2023 SEASON
    • MassQ Ball
    • Black Composer Miniature Challenge >
      • #BCMC 1.0
      • #BCMC 2.0
      • #BCMC 3.0
    • Black Poet Miniature Challenge
    • BSU Fellowship
    • Card to Culture
    • REPERTOIRE
  • EDUCATION
    • EDUCATION
    • AS TOLD BY
    • BIBA Blog
    • RESOURCES
  • PRESS
    • IN THE NEWS
    • Videos & Images
  • CONTRIBUTE
    • DONATE
    • VOLUNTEER
    • Join the Board
    • SPECIAL THANKS
  • Store