Born on June 4, 1940, in New Castle, Delaware; died March 3, 2022, in New York, married to Kermit Moore (the cellist) Education: Howard University, BMus, 1963; attended American Conservatory at Fontainebleau, 1963; private study with Chou Wen Chung, 1965; private voice lessons with Lola Hayes, 1972. Memberships: American Composers Alliance; BMI; New York Singing Teachers Association; New York Women Composers. Career Composer; Harlem School of the Arts, teacher, 1965-66; New York University, teacher 1969; Bronx Community College, teacher, 1971; private piano, voice, sight-singing, and ear-training teacher, 1968-. Life's Work Dorothy Rudd Moore, considered one of her generation's leading woman composers of color, has received commissions from such orchestras as the National Symphony, Opera Ebony, and the Buffalo Philharmonic.

Her work, which includes chamber pieces, song cycles, orchestral music, and an opera, is admired for its high level of artistry and its seriousness of purpose. Dorothy Rudd was born on June 4, 1940, in New Castle, Delaware. From a very early age, she loved music--an interest that her mother, a singer, actively supported. "I never knew a time when I wasn't interested in music," she observed to William C. Banfield in Musical Landscapes in Color. As a young girl, Moore listened to performances by the Philadelphia Orchestra, with Eugene Ormandy conducting, an experience that she cherished. She also made up songs and music for herself, as part of her play. "I didn't even know that the word 'composer' existed," she commented in Musical Landscapes in Color. "I just used to do the music." Her parents, who sent her to public schools in nearby Wilmington, encouraged her to explore all of her interests, and provided her with piano lessons. By her teens, Moore knew that she wanted to become a composer. Yet there were few role models in this field for a young black woman.

As she noted in remarks quoted in International Dictionary of Black Composers, it seemed that all composers must be "male, white, and dead." Moore's parents fully supported her ambitions. She continued her study of piano at Wilmington School of Music, and became a student of Howard High School teacher (and later, Music Superintendent of Wilmington Public Schools) Harry Andrews. Moore learned to play clarinet so that she could join the all-male band at Howard High. In addition, she was a member of the school orchestra, studied music theory, and sang in the school choir and in her church choir. Though Moore considered attending Harvard University, she decided instead to enroll at Howard University in Washington, D.C., where she began as a music education major. Excelled in Music as a University Student At Howard, Moore studied with Dean Warner Lawson, Thomas Kerr, and Mark Fax, who supported her decision to change her major to composition.